Film Analysis Iconic Characters in SUbejct 42 Revolution...

The iconic character within Subject 42 Revolution is Silus the antagonist in our film. An iconic villain reference for term project aesthetically and performance wise would be Kruger from the film Elysium (2013) a sleeper agent that works for Secretary Jessica Delacourt as a covert. Kruger eliminates problems as they arrive. Kruger is notorious for carrying out numerous human rights violations, including rape and torture. President Pate dismisses Kruger after killing innocent people. Kruger finds himself re-employed by Jessica when Max Da Costa and Spider’s crew attacks John Carlyle, a CEO stationed on Earth. Stealing data the critically change who controls the Elysium sanctuary to the wealthy and healthy whilst people live on earth’s†¦show more content†¦We wanted the stylization of Kruger to transition to our antagonist Silus a large figure with a messy rugged appearance similar to Kruger. In our film a large enters the slum with his band of soldiers, he has a depilated black cloak that hides his face similar to our reference character. We want the same messy stylization of Kruger for Silus; he should appear as dirty hired covert for the evil cooperation that sends him to capture Subject 42 and the other subjects who escaped, trying to r eturn to their families. Silus our antagonist should have the same aesthetic choices as Kruger in appearance. Kruger’s character for Elysium (2009) represents the real South African military stereotypes and the accent coming from a certain place. How this icon will suit our South African culture. Aesthetically we will adorn South Africa flag on the soldier’s outfit in our term project and take that stylization from Kruger character own for his roughness, his dirty rouge appearance with noticeable scars, his South African accent and adapt that into our antagonist Silus. Using Mise-en-Scene with dominant camera angles and lighting to represent our antagonist density in facial textures like scars, and his clothing that contrast against the Subjects appearance â€Å" As Campbell suggests, heroes and villains can present us with the challenge to transformation, possibly enabling us to see ourselves and others in new Light. The heroes and villains continually thrown up by human